Ambrose and brinkley abstract essays

Ambrose and brinkley abstract essays The essays from Chapter 9 of Major Problems focus on the impression of the World War II on the country and the soldiers. Stephen Ambrose writes about D-Day, when the Axis launched surprised attack to seize the Omaha Beach, and the military strategy and the tragedy that went into the landing at Omaha Beach. Also, it illustrates what soldiers had to face when their boats came to rest at Omaha Beach. In contrast, Alan Brinkley discusses the effects of WWII on the home front of the United States. Where he says, the war helped end the great depression and changed the roles of the African Americans and women during and after the war. I found Ambroses idea more effective, because the events in his essay give an account of military strategy and what soldiers had to face when they reached Omaha Beach with the actual event. I believe that Brinkleys essay is efficient in the sense that WWII did end the great depression, and bring about many changes for women and African Americans. However, looking at it from the soldiers perspective, they did not go to the war to change things in United States. They went to war because they were attacked by Japan at Pearl Harbor in Hawaii. Many women performed jobs long considered the exclusive province of men. Well, since most of the men were in Europe and the Pacific, there were vacancies in the factories and offices. Besides, those factories and offices required them since; the men at war will need all the food, weapons, vehicles, clothing, shoes etc. during their stay there. Ambrose on the other hand, draws a picture of how terrified soldiers took over the Omaha Beach. They were not thinking about what needed to be done to bring change at home, but they were thinking how to escape the shower of bullets and stay alive. All along the bluff, German soldiers watched the landing craft approach, their fingers on the triggers of machine guns, rifles, arti ...

About Eileen Gray, Furniture Designer and Architect

About Eileen Gray, Furniture Designer and Architect In some circles, Irish-born Eileen Gray is the figurative poster-child for the 20th century woman whose work is dismissed by a male-dominated culture. These days, her pioneering designs are revered. The New York Times claims that Gray is now regarded as one of the most influential architects and furniture designers of the last century. Background: Born: August 9, 1878 in County Wexford, Ireland Full Name: Kathleen Eileen Moray Gray Died: October 31, 1976 in Paris, France Education: Painting classes at the Slade School of Fine ArtAcadà ©mie JulianAcadà ©mie Colarossi Home Furnishing Designs: Eileen Gray may be best known for her furniture designs, beginning her career as a lacquer artist.   In her lacquer work and carpets,   writes the National Museum of Ireland, she took traditional crafts and combined them in a radical manner with the principles of Fauvism, Cubism and De  Stijl. The museum goes on to claim that Gray was the first designer to work in chrome, and was working with tubular steel at the same time as Marcel Breuer. Aram Designs Ltd. of London licenses Gray reproductions. Bibendum chairBonaparte ChairNonconformist ChairAdjustable Table E 1027Art Deco Lacquer ScreensEileen Gray Blue Marine RugDollhouse Miniature 1:12 Scale Eileen Gray Dragon Chair In 2009, Christies auction house estimated that a chair designed by the feminist architect and designer would fetch about $3,000 at auction. Grays dragon armchair, Fauteuil aux Dragons, set a record, selling for over $28 million. Grays Dragon Chair is so famous that it has become a dollhouse miniature. See more Gray designs on the Aram website at www.eileengray.co.uk/ Building Design: In the early 1920s, Romanian architect Jean Badovici (1893-1956) encouraged Eileen Gray to begin designing small houses. 1927: E1027- Collaborated with Jean Badovici on Maison en bord de mer E-1027, Roquebrune Cap Martin, on the Mediterranean Sea in southern France1932: Tempe Pailla, near Menton, France1954: Lou Pà ©rou, near Saint-Tropez, France The future projects light, the past only clouds.- Eileen Gray About E1027: The alpha-numeric code symbolically wraps Eileen Gray (the E and 7th letter of the alphabet, G) around 10-2- the tenth and second letters of the alphabet, J and B, which stand for Jean Badovici. As lovers, they shared the summer retreat that Gray called E-10-2-7. Modernist architect Le Corbusier famously painted and drew murals on the interior walls of E1027, without Grays permission. The film The Price of Desire (2014) tells the story of these modernists. Eileen Grays Legacy: Working with geometric forms, Eileen Gray created plush furniture designs in steel and leather. Many Art Deco and Bauhaus architects and designers found inspiration in Grays unique style. Todays artists, too, write extensively about Grays influence. Canadian designer Lindsay Brown has commented on Eileen Gray’s E-1027 house, an astute review with photographs of Grays maison en bord de mer. Brown suggests that Corbusier had something to do with Grays obscurity. Marco Orsinis documentary Gray Matters (2014) examines Grays body of work, making the case that Gray matters as an influence in the design world. The films focus is on Grays architecture and designs, including her modernist house, E-1027, in the south of France and the furnishings of the house for herself and her Romanian lover, the architect Jean Badovici.   The E1027 story is now widely known and taught in architectural schools, as emblematic of the sexual politics of modern architecture, claims reviewer Rowan Moore in The Guardian. A ongoing faithful community of Eileen Gray devotees and like-minded nonconformists stay in touch on Facebook. Learn More: Eileen Gray by Caroline Constant, Phaidon Press, 2000Eileen Gray, Freed From Seclusion by Alice Rawsthorn, The New York Times, February 24, 2013Eileen Grays E1027 – review by Rowan Moore, The Observer, Guardian News and Media, June 29, 2013Eileen Gray: Objects and Furniture Design by Architects Series, 2013Eileen Gray: Her Work and Her World by Jennifer Goff, Irish Academic Press, 2015Eileen Gray: Her Life and Work by Peter Adam, 2010 Sources: Sale 1209 Lot 276, Christies; Eileen Grays E1027 – review by Rowan Moore, The Guardian, June 29, 2013 [accessed September 28, 2014]; National Museum of Ireland - Eileen Gray Exhibition Details at www.museum.ie/en/exhibition/list/eileen-gray-exhibition-details.aspx?gclidCjwKEAjwovytBRCdxtyKqfL5nUISJACaugG1QlwuEClYPsOe_OJUokXAyYDHhBdpv5lpG5rQ5cW8ChoCppvw_wcB; Eileen Gray quotation from London Design Journal [accessed August 3, 2015]